Y Ddraig Goch
The Welsh dragon, stamped into wallet faces and bag pockets — a nod to the family line the workshop takes its name from. confirm story
Cut, tooled & dyed by hand
Every piece begins as a single hide and ends on a workbench — hand-cut, stamped border by border, dyed in small batches, and set with solid brass. No two come out the same, and that is rather the point.
What's on the bench
From a full crossbody satchel down to a hair pin — the same tooling vocabulary runs through all of it: knotwork borders, dragon scale, and a gold-leaf line worked into the impression. Every piece is made to order in the colour and motif you choose.
Crossbody bags with a shaped flap, buckle closure and detachable strap.
Made to order
Slim money-clip wallets stamped with dragon, star and scale motifs.
Pricing on enquiry
Tooled overlay belts sized to you, with matching bag straps.
Made to measure
Butterflies, blossoms and seven-pointed stars, hand-painted and sealed.
Pricing on enquiry
The long way round
The hide is cut and the edges bevelled. The pattern is cased with water and struck stamp by stamp — a border is hundreds of individual impressions, and a slip does not come out.
Dye goes on in thin coats and builds to that mottled, backlit depth; the gold is worked into the tooled line by hand. Edges are burnished, hardware is set in solid brass, and the whole thing is sealed and left to cure.
It is a slow way to make a bag. It is also why one of these outlasts a decade of the alternative.
Recurring marks
The Welsh dragon, stamped into wallet faces and bag pockets — a nod to the family line the workshop takes its name from. confirm story
Drawn in a single unbroken line — the reason it turns up on the smallest pieces, where there is only room for one gesture.
A repeating scale press that fills a panel without ever quite repeating, because each strike lands by hand and by eye.
How to order
There is no cart and no stock list. You tell us the piece, the colour and the motif you want, and we quote it before anything goes on the bench.
Piece, colour, motif, and any measurements you already have. A reference photo helps enormously.
A sketch, a price and an honest timeline. Hand work does not compress, so we would rather quote long.
Progress photos at tooling and at dye — the two stages actually worth seeing — then it ships.
Still deciding?
Half of what we make started as someone describing a rough notion and asking what it would cost. Send a photo, a colour, or just a question — it reaches the person who makes the work.